Pandit Lachhu Maharaj (1907–1978) was an Indian classical dancer and choreographer of Kathak. He came from a family of illustrious Kathak exponents in Lucknow, and also worked as film choreographer, Hindi cinema, most notably Mughal-e-Azam (1960) and Pakeezah (1972). He was awarded the 1957 Sangeet Natak Akademi Award, the highest award for performing artists, conferred by the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. He received extensive training from Pandit Bindadin Maharaj, his uncle and the court dancer of the Nawab of Awadh, for nearly ten years. He also learnt the Pakhawaj, the Tabla and Hindustani Classical vocal music. He took vocal music training from none other than Aftab e Mousiqui Ustad Faiyaz Khansaheb of Baroda (Agra - Rangeela gharana). Later, he moved to Mumbai, where the emerging film industry helped him to bring Kathak to a far wider audience. Lachhu Maharaj was acclaimed for the choreography of dance sequences in movies like Mahal (1949), Mughal-e-Azam (1960), Chhoti Chhoti Baten (1965) and Pakeezah (1972)[1] as well as his ballets like Goutam Buddha, Chandravali and Bharatiya Kissan. He was also the founder Director of the Kathak Kendra started by the Uttar Pradesh Government in Lucknow.
Among many prestigious awards he won were the Presidents' Award and the 1957 Sangeet Natak Akademi Award, the highest award for performing artists, conferred by the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. In September, 2007, a two-day festival was organized in Lucknow to celebrate his birth centenary, in presence of his wife Rama Devi, his disciples like Nalini and Kamalini, a book on him was also released and students of the dance institution he founded, Kathak Kendra staged a ballet, Megh Malhar.
